“When you ask a man to dance, you might ask him to be a bit feminine. Use sensitive language to show himself, to expose any honesty about himself. It is almost to ask for him to be unmasked, and to share an intimate, fragile and vulnerable space. It's asking him to do it of his own free will. Intimacies exposed in a muscular body, capable of so much and yet of failing.
The beauty of showing what you want to hide, like telling a secret to a stranger and forcing it forever into our lives”
(statement fictional about a man who dances).

BISONTE is an authorial work where I take a position that is much more based on biographical and self- referential references than scientific or consensual ones.
I intend to saturate and expose the urban context of dance where there is a certain hyper- masculinization, almost simultaneously with a feminist universe, queer, that is almost identity of this time and generation.


What masculinities are still built today? Which feminine is this that to assert itself is masculinized? What humans are these that still measure themselves by the great, strong and fast? By the physical, the power and the sex?

In raising gender notions, I know that I will fall into stereotyped ideas of masculine and feminine, about identity, and about anthropological concepts that may be a little swampy and with which I have no interest in making any kind of manifesto.
In a more ideological “core”, BISON intends to bring to scene mail dense, virtuous and dominant dances to talk about intimacy and honesty in a human being. Approach a beautiful simplicity and, at the same time, use and enhance ugly artifacts.